English Prince Harry Windsor and his bride Meaghan were in Ireland this week and were shown around Dublin.
“Ah yeah, this is where we fought yez in 1171 ….
“Our people were banned from the city for a while after that. Yes, security … quite ….
In 1366 yez got in a strop wit yer own people for starting to talk Irish, wearing Irish clothes, playing Irish games …. Called them ‘the degenerate English’ … said they’d become ‘more Irish than the Irish themselves.’ Yes, a few of them got hung.
There’s where some of our chieftains’ sons escaped your jail in 1592 after you took them hostage — some never escaped of course, ha, ha and their heads remained on spikes. Yes, a bit gruesome.
Then in the 1640s again because yer people wouldn’t change their religion (nor us, as it happens). Yes, old Oliver. I know, your family’s not too fond of him either ….
Yes, Trinity College, founded by yer own Queen Elizabeth. What, no, bless me, not her Majesty now — the first one! Well, to educate yer people here in the Protestant faith because they were being sent off to Catholic countries to be educated.
Just down the hill there’s where yez arrested the Leinster Directorate of the United irishmen in 1798. No, mostly Protestants …
And the bridges there, where yez hung a lot of their followers, putting their bodies in Croppies’ Acre afterwards, just across the river there. No, not a graveyard as such — a mass grave, just a hole in the ground. There are quite a few songs about that period. Yes, still sung today.
And across the road there is where the irish Parliament was — well, Anglicans only — abolished to precede the Act of Union in 1801. Yes, that was when all of Ireland became part of the UK.
….. Back up there, Robert Emmet was hung and beheaded two years later …. Yes, there is a song about that too.
Ah yes, and just down from the Castle, which was yer Headquarters, is where the The United Irishman newspaper was suppressed in 1848 and its editors and writers sent to Australia and Tasmania. No, not for a holiday — as convicts.
Now, across the river … Worker killed there during the 1913 Lockout and many injured by police the day after too. Oh, it lasted about eight months. Yes, it is a long time, your Highness. But they had some help from England. Oh, not from the Government, not at all, bless your Highness. From British trade unionists. Yes, a few songs about that Lockout also. Yes, we are very musical, thank you.
Oh yes, Bachelor’s Walk Massacre over there, 1914 …. No, nothing to do with stag parties — though sometimes …. No, not by the IRA — by the Scottish Borderers, British Army.
1916 Rising fighting post there …. there …. over there to the East …. further back there to the west…. and south …. and there. Yes, fourteen executed in the Kilmainham Gaol Museum …. no, it wasn’t a museum at the time … Oh, many, many songs …
Now, over there was where Kevin Barry was hung … Yes, there is a song about that as well, your Highness.
One of the RIC G-men shot there by our people… and another over there … Ah, the RIC? Well, sort of like yer PSNI up north now …
Civil War, yes, 1922 -’23. Yes, Collins was glad of yer cannons for that.
Dublin Bombings …. yes, in 1974. The IRA? No, bless me, not at all! Yer own intelligence service and loyal allies. Yes, it was …. biggest number of deaths in one day during the whole recent 30 years war. No, strangely, not one arrest ……
No, the British Embassy’s not in the City Centre anymore, Your Royal Highness Meaghan …. not since 1972. Well it got burned. No, not accidentally — a big crowd burned it after Bloody Sunday up in Derry, you know, when 14 were killed by your father-in-law’s regiment ….
TRAD FOR CATALONIA SEES MIX OF INSTRUMENTS, LANGUAGE AND MUSIC STYLES
Ukelele, fiddle, guitars, cajón, gralla, flutes and uileann pipes, along with different voices in various styles filled performances at the Trad for Catalonia night in the Back Room, at the Cobblestone pub, Smithfield Dublin on 14th June (2018). Despite the wide variety, the quality of sound production was excellent and much appreciated by the audience.
Eight different acts took to the stage in a crowded function room at the Cobblestone, which was decorated in the three varieties of the Catalan national flags (Senyera, Estelada and Vermella), and flags from the Referendum period declaring Sí, along withthe Basque Ikurrina and the Irish Starry Plough.
Diarmuid Breatnach, on behalf of With Catalonia/ Leis an Chatalóin welcomed the people attending in Irish and in English. A group called Whistle went first, playing lively Old-Time American songs, followed by Eoghan Ó Ceannabháin and John Flynn playing Irish tunes on flutes and also singing sean-nós songs in Irish, including Sadhbh Ní Bhruinneallaigh.
Ó Ceannabháin then introduced Berta Freixas Ylla-catalá, who played some Catalan tunes on the Gralla, a traditional Catalan instrument after which Paul O’Toole followed with some of his own songs, including the quasi-satirical “I Saw Jesus on a Bus”.
Breatnach, accompanied on guitar by O’Toole, sang two songs relating to prisoners, both from the latter half of the 19th Century, one from Ireland and another from the USA. The
Felons of Our Land was almost certainly written with regard to the suppression of the Fenians (Irish Republican Brotherhood) he said, while How Can I Keep from Singing began life as a Christian hymn but was worked over somewhat in the 1960s to make it a song of political resistance. The two emotions which the repressive forces seek to employ by taking political prisoners as hostages, said Breatnach, are shame and fear; these songs counter those with the emotions of pride and courage. Breatnach invited the attendance to support a picket in solidarity with Catalan political prisoners the following Thursday, 6pm at the GPO building in the city centre.
After the break and the holding of the raffle, which raised further funds in addition to the low entrance fee of 5 euro, Síomha Nic Aonghusa sang voice-only the sean-nós song Dónal Óg in Irish, then, all in English and accompanying herself on guitar, sang in turn an Irish Republican ballad and different songs, on themes of love, loss and addiction. Fionn Ó hAllmhain brought his uileann pipes on to the stage and, after explaining something of how they work, played a number of tunes, including a polka which had a couple up dancing set-dance polka moves. Ó hAllmhain also sang an Irish sean-nós song.
Oncle Pau of Casal Catalan, accompanying himself on ukelele, performed some Catalan songs which had many Catalans in the audience singing along, finishing his set with Somewhere Over the Rainbow.
Concluding the evening, Ó Ceannabháin thanked all for attending, also the singers and musicians who performed free of charge, the Cobblestone for providing the venue, Shane the sound engineer and Aoife behind the bar.
The event was organised by With Catalonia/ Leis an Chatalóin, with strong support from the cultural Catalan organisation, Casal Catalana d’Irlanda and promoted also by CDR (Comité de Defensa de la República) Dublin.
CROWD AT BRITISH EMBASSY DUBLIN CALLS FOR RELEASE OF JULIAN ASSANGE
Today, June 19th, is the anniversary of the date when Julian Assange sought asylum in the Ecuadorian Embassy in London, which he was granted. That was 2012, since which he has been confined to a few rooms in that building, unable to leave for fear of British arrest and extradition to the US, where he is wanted for broadcasting their secrets on their murderous campaigns in Afghanistan and Iraq and other matters. A crowd gathered outside the British Embassy to demand Assange be set free – among them as speakers were TDs Clare Daly, Mick Wallace, along with Nobel Peace Laureate Mairéad Corrigan and musician Paul O’Toole (also another musician).
At least five Gardaí were in attendance, along with a police van.
All the speakers outside the British Embassy made the point that Assange’s only crime is to reveal some murderous secrets of the USA and other powers and that if he can be jailed then so can anyone for speaking or publishing the truth. Clare Daly said that his crime was to be a conscientious reporter.
Paul O’Toole played two songs, one of which was The Cry of the Morning, a song about internment. The other musician played some tunes and then led the crowd in singing “All we are saying, is free Julian Assange.”
Fintan thanked all for coming and the speakers and musicians and the event came to an end.
Assange went to Sweden to talk about Wikileaks and its revelations in August 2010. A woman in Sweden wanted Assange to have a HIV test after he had sex with her. Her friend, who had also had sex with Assange in the past, encouraged her to go to the police. Assange went voluntarily to the police station, was interviewed and told he could go, there was no charge and he went back to England. Afterwards, a Swedish Special Prosecutor charged him with sexual molestation and “lesser-degree rape” (a particular Swedish charge) although the original complainant did not accuse him of rape.
By then it was becoming clear that another agenda was behind the Swedish Special Prosecutor and the two women. Assange offered to be interviewed again by Skype or in person in London or, if necessary in Sweden but only if that country guaranteed not to extradite him to the USA. The Swedish authorities refused to give that guarantee. The Prosecutor said Swedish law did not permit an interview on foreign soil but this was publicly contradicted by Swedish legal experts and the Prosecutor eventually interviewed him in London but by this time it was November 2016, by which time the statute of limitations had run out on the less serious charges. In May 2017, the Swedish authorities dropped their investigation against Assange and Chief Prosecutor Marianne Ny officially revoked his arrest warrant.
However, as a result of Sweden’s attempt to extradite Assange, he had been brought to court in London and released on bail. Due to Sweden’s refusal to guarantee him no extradition to the USA, Assange jumped bail and sought asylum in the Ecuadorian Embassy on 19th June 2012 and has been there since. He cannot leave for fear of arrest by the British for breach of bail conditions and extradition to Sweden, from where he may be extradited to the US, where politicians and officials have said publicly that he should be jailed and some even wanted him executed under anti-espionage laws or assassinated.
On the 6th of March 1988, an undercover unit of the IRA in the Spanish State was being tracked by Spanish police. As the unit headed in to Gibraltar, their surveillance was taken over by a British Army unit of the Special Air Service. Very soon afterwards, the SAS attacked the IRA unit and shot them down, shooting them again with execution shots on the street. The IRA unit were unarmed and there was no attempt made to arrest them. The SAS claimed that they had a bomb ready to detonate but no such bomb was ever found. The three Volunteers were Mairéad Farrell, Seán Savage and Daniel McCann.
A Gibraltar woman, Carmen Proetta, who witnessed the murders from her flat and testified to what she had seen was villified and libelled in the British media (she successfully sued a number of them later). A Gibraltar inquest judged the killings to have been unlawful. Amnesty International in Britain denounced the killings — one of the few occasions in which Amnesty criticised the British Government with regard to its conduct in relation to the 30 Years’ War in Ireland.
Almost two months after the shootings Margaret Thatcher and her Foreign Secretary Geoffrey Howe tried to prevent an independent British TV company’s documentary on the killings, Death On the Rock and the career of the lead Editor, Roger Bolton, suffered severely, although an independent investigation of the program vindicated the program.
Streets of Gibraltar song
By The Irish Brigade (long version) + verse by DB*
Oh, sad are three homes in Belfast Town,
all Ireland shares their sorrow;
as they walked in the sun, the Brits drew their guns
and they died on the streets of Gibraltar.
They flew out of Belfast with an ambitious plan
to carry the struggle to free Ireland –
Mairéad Farrell, Seán Savage and Daniel McCann –
and they died on the streets of Gibraltar.
Hidden eyes had been watching, they followed each one They knew they weren’t armed, that none had a gun
They gave them no warning and no chance to run For the three must die on Gibraltar.
Each of them unarmed, without mercy gunned down, *
shot again in the head as they lay on the ground
by the Special Air Service, assassins of the Crown –
they were murdered on the streets of Gibraltar.
The SAS stood there, so proud of their deed –
three more freedom fighters shot down in the street:
Mairéad Farrell, Seán Savage and Daniel McCann –
they died on the streets of Gibraltar.
Mairéad, while in prison we watched you with pride; True to all you believed in and for this you’ve died With two fine volunteers Dan and Sean by your side — A part of us died in Gibraltar.
It happens each time that a Volunteer dies — They screen out the truth with a cover of lies; But we know what happened on that warm peaceful night The Brits planned their deaths on Gibraltar.
A crowd gathered at the Dublin and Monaghan Bombing Monument in Talbot Street this evening for a short ceremony and the start of a march to rally at the General Post Office building in Dublin city’s main street. The event was organised by Anti-Imperialist Action Ireland “to highlight imperialist war-crimes around the world, from Ireland to Yemen and Syria.”
View of section of crowd before start of event with the Memorial in the background (Photo: D.Breatnach)
As people assembled, a crowd of European youngsters was noted passing by, no doubt part of some scheme to learn English and something of the culture outside their own country. Sadly their teacher passed by the Monument without calling their attention to it.
The bombings on 17 May 1974, killing 33 civilians and a full-term unborn child and injuring almost 300, claimed the highest toll of any event during the 30 Years War and was the deadliest attack in the history of the Irish State. The bombings were organised by British Intelligence agents with Loyalist participation and not one person was ever charged.
It was not a good day for the march and participants came prepared for the worst but the rain stopped just before the event and held off, apart from an occasional drizzle, until after the event, when it fairly lashed down.
Pádraig Ó Fearghaill spoke first in Irish welcoming all who had attended, outlined the order of events and then called on George Galloway, famous British anti-imperialist politician, writer and broadcaster, to lay a floral wreath at the monument, which he did. Ó Fearghaill then called on Diarmuid Breatnach to sing the Woody Guthrie song about the massacre of mineworkers in Colorado, USA, by capitalists including the imperialist John D.Rockefeller. Breatnach sang “The Ludlow Massacre”.
The march then formed up and, led by a floral wreath-holder and black flags, proceeded up Talbot Street, into North Earl Street and up to the GPO. Along the way they chanted“From Ireland to Palestine- Occupation is a Crime” and “Donald Trump/Theresa May- How many kids did you kill today?” The demonstration received a lot of support from passers by along the way and drivers of cars and buses who beeped to show support. The marchers, some of who were carrying candles or light up boards made there way to the GPO where a further crowd had already gathered.
From well-known activists participating and banners carried it was clear that the march had attracted wide support across sections of the Republican movement in parties and campaigns, with participation of independent activists of republican, anarchist and socialist background.
Outside the GPO building, Ó Fearghaill called on Máire Uí Mhaoileoin to lay a wreath in memory of those who have lost their lives as a result of imperialist war-crimes and then introduced George Galloway, who remarked that he was proud to speak outside the building that had played such a part in the first blow against the British Empire of the last century. Galloway went on to refer to continuing British occupation of the Six Counties of Ireland and imperialist interference in the Middle East and the occupation of some countries. In the latter category he praised the Palestinian Ehed Tamimi, whose 17th birthday was just that day and called her “a leader of the resistance for the whole Middle East”.
Reminding the attendance of the ongoing crime of internment, Ó Fearghaill announced a representative of a campaign around Tony Taylor, who announced he was reading a statement from Lorraine Taylor, Tony’s wife. Taylor, a Derry Republican, was detained in March 2016 and has been in jail since, without trial or even charge.
Presenting Diarmuid Breatnach again to sing the famous Eric Bogle anti-war song “The Band Played Waltzing Matilda”referencing the bush-ballad of “Waltzing Matilda”, the Australian unofficial national anthem. However, following
a suggestion from a participant, Breatnach led the crowd in singing “Happy Birthday” in English and in Irish to Palestinian child-prisoner Ehed Tamimi. After Breatnach’s rendition of Bogle’s song, Ó Fearghaill thanked all the the participants and promised that Anti-Imperialist Ireland would continue to build up resistance against imperialism in Ireland and in the world beyond.
Bobby Sands, who was the first of the ten hunger strikers to die in 1981, had written a number of articles, songs and poems. One of the latter was arranged for song by Christy Moore, calling it “Back Home In Derry” to the air of “The Wreck of the Edmund Fitzgerald” (by Canadian singer Gordon Lightfoot).
The rendition here by Diarmuid Breatnach is to a new air composed also by Breatnach. Although he has been singing it for some years in song sessions, this is the first time it has been posted as a video.
“I thought that the lyrics and the original author deserved a new air”, said Breatnach, a Dublin singer. “Christy Moore did a great job arranging the lyrics for song. I hope the new air becomes at least as popular as Gordon Lightfoot’s.”
The lyrics were written by James Connolly and published in his songbook Songs of Freedom in New York in 1907. Diarmuid replaced the words “labour” with “workers” and “true men” with “true hearts”. There was no indication of to what air the song should be sung (quite common, the expectation being that being would use a popular air at the time) and it has been put to at least three airs.
Diarmuid Breatnach here sings it to the air of A Nation Once Again (by Thomas Davis, ‘Young Irelander’) which is the air he heard it sung by Cornelius Cardew, an English communist composer. This air suits it and the arrangement provides a chorus in which people can join.
The recording was done at the weekly Save Moore Street From Demolition campaign table (Saturdays 11.30am-1.30pm) with Bart Hoppenbrouwers videoing.
James Connolly was one of around 350 men and women who occupied the Moore Street area during the 1916 Rising after the evacuation of the burning GPO, which had been the HQ of the Rising. Connolly was one of five signatories of the Proclamation who spent their last hours of freedom in those houses and one of six of the fourteen executed after they surrendered in Moore Street.
The Irish Government, property speculators and the Planning Dept. of Dublin City Council are all pushing that only four buildings in that battleground be saved and a huge supermarket be built over the whole area but the SMSFD campaign wants the whole quarter saved and sensitively developed.